Of Gods and Men explores a variety of complex religious themes and ideas through the re-telling of a true story of a group of French monks caught up in the Algerian civil war. The film is not a simplistic showcase of good versus evil but is instead a deeply human tale of tolerance, fear and strength. No character falls into the trap of caricature, even the terrorists have depth and motive. The believability of the characters creates a realness that makes the film a more powerful emotional experience.
The film begins by introducing us to the monks. The monastery in which they live is a quiet place and their routines consist of tending to the gardens, reading, praying and interacting with the Muslim townsfolk. Importantly one of the monks, Luc (Michael Lonsdale) acts as the town doctor. The relationship between the monks and the townsfolk is one of mutual respect and friendship. The cinematography is gorgeous, capturing the natural beauty of the landscape and the simplistic beauty of the monastery.
The monk’s peaceful existence is shaken when word reaches the town that Islamist militants are taking over the countryside. The slow pace of the opening half is so calming that when violence breaks out the audience shares the peoples shock and worry.
It becomes immediately apparent that the monk’s lives are in danger. The monk’s world slowly comes crumbling down around their epicentre which is the monastery. The French government and Algerian officials urge them to escape while the town’s people plead for them not to abandon them. The group of monks is dividend on what decision to make. Difficult questions cause repressed raw emotions to bubble to the surface. Is it okay to accept help from a corrupt government? When is it acceptable for the Sheppard to leave his flock? What good does martyrdom do?
The group is rightly afraid and sometimes the fear takes control. Lambert Wilson (playing Christian) delivers a fine performance as a man struggling with leadership in a harrowing situation. The first confrontation scene is truly terrific, with trembling Christian putting on a brave face, a combination of fear and determination.
It is hard not to be emotional for the second half of the film. The monk’s moral presence is felt ubiquitously. In every act of violence or cruelty, whether on screen or off, the monk’s sadness permeates from the screen. The honesty of the characters naturally draws the audience’s empathy. There is a specific scene which I will not reveal in which the worldly combines with the spiritual that results in one of the most powerful emotional climaxes I have ever seen.
I highly recommend viewing this film regardless of one’s religious beliefs or background. The film shows both the good that can be achieved through belief as well as the bad. Luc quotes Pascal to remind us that “Men never do evil so completely and cheerfully as when they do it from religious conviction”. The message the film preaches transcends any specific faith as it is one of love, peace, acceptance and harmony.
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